{"id":88,"date":"2011-10-16T18:36:06","date_gmt":"2011-10-16T18:36:06","guid":{"rendered":"http:\/\/ombu.ca\/en\/?page_id=88"},"modified":"2011-11-07T01:35:10","modified_gmt":"2011-11-07T01:35:10","slug":"ombu1006","status":"publish","type":"page","link":"https:\/\/ombu.ca\/en\/ombu1006\/","title":{"rendered":"Skye Consort – Grands succ\u00e8s du deuxi\u00e8me mill\u00e9naire"},"content":{"rendered":"

\n\"Skye

\"Skye<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nA l’entrada del tens clar<\/strong><\/td>\narr. S. Dagher<\/td>\n3:29<\/td>\n<\/tr>\n
2.<\/td>\nLa Prime Estampie Royal <\/strong><\/td>\narr. A. Kehler <\/td>\n1:08<\/td>\n<\/tr>\n
3.<\/td>\nAh, que nos p\u00e8res <\/strong><\/td>\narr. S. Dagher <\/td>\n3:21<\/td>\n<\/tr>\n
4.<\/td>\nLa Seconde Estampie Royal <\/strong><\/td>\narr. S. Dagher<\/td>\n1:04<\/td>\n<\/tr>\n
5.<\/td>\nLe Prisonnier de Nantes <\/strong><\/td>\narr. S. Dagher <\/td>\n2:26<\/td>\n<\/tr>\n
6.<\/td>\nLa Tierche Estampie Roial <\/strong><\/td>\narr. A. Kehler \/ S. Dagher <\/td>\n1:39<\/td>\n<\/tr>\n
7.<\/td>\nL’amour de moy <\/strong><\/td>\narr. S. Dagher <\/td>\n2:47<\/td>\n<\/tr>\n
8.<\/td>\nLa Quarte Estampie Royal <\/strong><\/td>\narr. A. Kehler <\/td>\n2:09<\/td>\n<\/tr>\n
9.<\/td>\nAnne de Bretagne <\/strong><\/td>\narr. S. Dagher <\/td>\n4:12<\/td>\n<\/tr>\n
10.<\/td>\nLa Quinte Estampie Real <\/strong><\/td>\narr. S. Dagher <\/td>\n1:27<\/td>\n<\/tr>\n
11.<\/td>\nLe Galant Noy\u00e9 <\/strong><\/td>\narr. S. Dagher <\/td>\n3:44<\/td>\n<\/tr>\n
12.<\/td>\nLa Seste Estampie Real <\/strong><\/td>\narr. S. Dagher <\/td>\n1:19<\/td>\n<\/tr>\n
13.<\/td>\nKalenda Maya <\/strong><\/td>\narr. S. Dagher <\/td>\n4:39<\/td>\n<\/tr>\n
14.<\/td>\nLa Septime Estampie Real <\/strong><\/td>\narr. S. Dagher <\/td>\n1:56<\/td>\n<\/tr>\n
15.<\/td>\nVolez vous que je vous chante <\/strong><\/td>\narr. S. Dagher <\/td>\n3:00<\/td>\n<\/tr>\n
16.<\/td>\nLa Uitime Estampie Real <\/strong><\/td>\narr. B. Grossman <\/td>\n2:28<\/td>\n<\/tr>\n
17.<\/td>\nBe m’an perdut <\/strong><\/td>\narr. S. Dagher <\/td>\n4:26<\/td>\n<\/tr>\n
18.<\/td>\nDansse Real (9e<\/sup> estampie) <\/strong><\/td>\narr. S. Dagher \/ A. Keesmaat <\/td>\n0:34<\/td>\n<\/tr>\n
19.<\/td>\nBelle Virginie <\/strong><\/td>\narr. S. Dagher <\/td>\n2:30<\/td>\n<\/tr>\n
20.<\/td>\n(10e<\/sup> estampie) <\/strong><\/td>\narr. S. Dagher <\/td>\n1:28<\/td>\n<\/tr>\n
21.<\/td>\nDouce Dame Jolie <\/strong><\/td>\ncomp. Guillaume de Machaut
arr. S. Dagher<\/td>\n		2:34<\/td>\n<\/tr>\n
22.<\/td>\nDanse Pens\u00e9e (11e<\/sup> estampie) <\/strong><\/td>\ncomp. Se\u00e1n Dagher<\/td>\n1:26<\/td>\n<\/tr>\n<\/table>\n


<\/p>\n

A l’Entrada Del Tens Clar, Volez Vous Que Je Vous Chante, Douce Dame Jolie<\/strong>
The trouv\u00e8res were the poet\/musicians employed by the aristocracy of the north of France and Norman England in the 13th and 14th centuries. They wrote in Langue d’Oil (old French) on a wide range of subjects, from love to politics. “A l’Entrada Del Tens Clar” is a 13th century anonymous Dance Song (translated from an earlier troubadour song) on the themes of lust and jealousy. “Volez Vous Que Je Vous Chante” is a 13th century anonymous Reverdie on the themes of lust and status. “Douce Dame Jolie” is a Monophonic Virelai by the 14th century composer Guillaume de Machaut (c.1300 \u00ad 1377), one of the greats masters of the middle ages. The song’s main themes are lust and desire.\n<\/p>\n

Kalenda Maya, Be M’An Perdut<\/strong>
The troubadours were the poet\/musicians employed by the aristocracy of southern France, northern Italy and Catalonia in the 12th and 13th centuries. They wrote in Langue d’Oc (Proven\u00e7al) on a wide range of subjects, from politics to love. “Kalenda Maya” is an estampie by the 12th century troubadour Raimbaut de Vaqueiras (c.1150-1207). It is a plaintive rant by from rejected lover. “Be M’An Perdut” is a Canso by the 12th century troubadour Bernart de Ventadorn (fl.1145-1180). It is the lament of a rejected lover.\n<\/p>\n

\n\"Skye
photo: H. Fortin<\/span><\/span>
\nAh! Que Nos P\u00e8res, Anne de Bretagne, Belle Virginie<\/strong>
These three very well known songs from the French oral tradition, each found several different versions. “Ah! Que Nos P\u00e8res” is a drinking song, possibly from the 19th century, about the cult of wine. “Anne de Bretagne” is impossible to date but the Duchess in question lived from 1477 to 1514. The song only scratches the surface of her intriguing life story. “Belle Virginie” probably dates from an era of large-scale emigration or world exploration, perhaps the 18th century. As beautiful as the melody is, only the most romantic among us can possibly believe that Virginie ever saw her “Cher Amant” again.\n<\/p>\n

Le Prisonnier de Nantes, Le Galant Noy\u00e9<\/strong>
These variants of French folk songs were collected in Qu\u00e9bec and their forms are typical of Qu\u00e9bec’s folksong tradition. The three main elements of the songs (the words, the melody, and the nonsense refrain between iterations of the first line) are independent of each other and any singer can combine different elements from various songs to create new variants. Both protagonists jump in the water, that “Prisonnier” makes it out while the “Galant” doesn’t seems very unfair. “Le Galant Noy\u00e9’s” English “nonsense” refrain suggests that this variant dates from after 1779.\n<\/p>\n

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\n\t\t\t\t\t<\/p>\n","protected":false},"excerpt":{"rendered":"

1. A l’entrada del tens clar arr. S. Dagher 3:29 2. La Prime Estampie Royal arr. A. Kehler 1:08 3. Ah, que nos p\u00e8res arr. S. Dagher 3:21 4. La Seconde Estampie Royal arr. S. Dagher 1:04 5. Le Prisonnier de Nantes arr. S. Dagher 2:26 6. La Tierche Estampie Roial arr. A. Kehler \/ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-88","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ombu.ca\/en\/wp-json\/wp\/v2\/pages\/88","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ombu.ca\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ombu.ca\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ombu.ca\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ombu.ca\/en\/wp-json\/wp\/v2\/comments?post=88"}],"version-history":[{"count":8,"href":"https:\/\/ombu.ca\/en\/wp-json\/wp\/v2\/pages\/88\/revisions"}],"predecessor-version":[{"id":207,"href":"https:\/\/ombu.ca\/en\/wp-json\/wp\/v2\/pages\/88\/revisions\/207"}],"wp:attachment":[{"href":"https:\/\/ombu.ca\/en\/wp-json\/wp\/v2\/media?parent=88"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}